Questions without Edges
TOM BENTLEY
Original Acrylic
36 x 24
3000.
That Summer Feeling
JANELLE COX
Original Oil
25 x 25
950.
Ocean Night
LOLA CRADEUR
Original Acrylic
24 x 24
215.
Amongst The Forest
LOLA CRADEUR
Original Acrylic
24 x 24
215.
Meditations
GABRIELA ELIAS
Original Acrylic
8 x 8
300.
Galaxies
TARA GIBB
Original Watercolor
7 x 14
250.
Warmest Heart in a Cold World
TARA GIBB
Original Acrylic
16 x 20
300.
Fractured but Unbroken
TARA GIBB
Original Mixed-media
24 x 18
350.
COCO
TERESA GREEN
Original Acrylic
24 x 26
200.
Chanel
TERESA GREEN
Original Acrylic
16 x 20
195.
Paris
TERESA GREEN
Original Acrylic
16 x 20
195.
One line at a time
TERESA GREEN
Original Acrylic
24 x 24
185.
Sunshine
LACY HUSMANN
Original Mixed-media
24 x 24
800.
Candyland
LACY HUSMANN
Original Mixed-media
30 x 30
1200.
Carnival II
LACY HUSMANN
Original Mixed-media
30 x 30
1200.
Garden
LACY HUSMANN
Original Mixed-media
30 x 30
1200.
Playtime
LACY HUSMANN
Original Mixed-media
42 x 42
2300.
Shepherdess
CRAIG IRVIN
Original Oil
20 x 20
950.
Seeker
CRAIG IRVIN
Original Acrylic
16 x 20
600.
Lady Bird Lake
CRAIG IRVIN
Original Oil
12 x 36
550.
Sitting on the Armadillo
CRAIG IRVIN
Original Oil
24 x 18
550.
Violin and Rose
CRAIG IRVIN
Original Oil
8 x 16
350.
Indian 17
PING IRVIN
Original Acrylic
20 x 16
700.
Indian26
PING IRVIN
Original Acrylic
30 x 30
2200.
Indian 18
PING IRVIN
Original Acrylic
18 x 24
1200.
Indian21
PING IRVIN
Original Acrylic
24 x 24
1400.
Indian 20
PING IRVIN
Original Acrylic
24 x 24
1200.
Untitled
PING IRVIN
Original Oil
28 x 22
1600.
Love is All Around
ELIZABETH IRVINE
Original Encaustic
20 x 20
600.
Love is All Around (II)
ELIZABETH IRVINE
Original Encaustic
20 x 20
600.
Groovy Gravy
DENISE JAUNSEM
Original Mixed-media
20 x 20
400.
You Get What You Give
DENISE JAUNSEM
Original Acrylic
12 x 9
150.
Satellite of Love
DENISE JAUNSEM
Original Acrylic
17 x 13
200.
All Right Now
DENISE JAUNSEM
Original Mixed-media
12 x 12
200.
Surfing Your High Hopes
DENISE JAUNSEM
Original Mixed-media
12 x 12
200.
Popping Eyeballs
CHARLIE KREITLER
Original Digital
14 x 11
200.
Charlie’s Color Wheel
CHARLIE KREITLER
Original Digital
24 x 18
300.
Cat’s Whiskers
CHARLIE KREITLER
Original Digital
12 x 12
200.
The Armadillo
CHARLIE KREITLER
Original Digital
12 x 12
200.
Leading a Horse to Water
SCOTT LEOPOLD
Original Mixed-media
48 x 48
5000.
King Ranch
SCOTT LEOPOLD
Original Mixed-media
48 x 48
2500.
Fridutcha
KALEB MARTINEZ
Original Pastel
28 x 34
2000.
Hibiscus
GRANIA PATTERSON
Original Oil
30 x 24
Please Inquire.
Sun Set at Big Bend
ROSALINDA PEÑA
Original Acrylic
20 x 16
185.
Spring Leaves
ROSALINDA PEÑA
Original Acrylic
16 x 20
175.
Glen Canyon Utah
ROSALINDA PEÑA
Original Acrylic
24 x 18
290.
Color Pop
MONIC REYES
Original Acrylic
20 x 24
2088.
Texas Vogue 1
MALEN REYES
Original Acrylic
10 x 20
781.
Texas Vogue 2
MALEN REYES
Original Acrylic
10 x 20
781.
POWERHOUSE
LUCIAN RICHARDS
Original Acrylic
26 x 32
700.
FUTURE SHOCK
LUCIAN RICHARDS
Original Acrylic
25 x 29
600.
GLASS
TIMOTHY SENS
Open Giclee Acrylic
30 x 30
2600.
Fortress
NICHOLAS SHEPHERD
Original Acrylic
20 x 16
695.
South Pacific
NICHOLAS SHEPHERD
Original Acrylic
20 x 16
695.
Top View II
NICHOLAS SHEPHERD
Original Acrylic
20 x 16
695.
Tread of identity
ANASTASIA SHIMANSKAYA
Original Mixed-media
40 x 30
500.
eterna
ANASTASIA SHIMANSKAYA
Original Mixed-media
48 x 48
1200.
Duality
JASON STEINBERG
Original Mixed-media
36 x 48
3000.
living thing (third phase)
JASON STEINBERG
Original Mixed-media
18 x 24
500.
living thing (second phase)
JASON STEINBERG
Original Mixed-media
18 x 24
500.
Kaleidoscope Hillscape
BECKY WARNER
Original Watercolor
16 x 13
250.
Amigas
BECKY WARNER
Original Watercolor
10 x 12
250.
Hill County range
BECKY WARNER
Original Watercolor
12 x 9
250.
Follow the Leader
LINDA WELLS
Original Pastel
16 x 20
2100.
Then There was Light
LINDA WELLS
Original Pastel
30 x 24
3100.
Spring Buzz
ROSALINDA PEÑA
Original Acrylic
20 x 24
290.
Almond Flower
Tyrant
JASON STEINBERG
Original Mixed-media
24 x 30
700.
an anti-war painting
A Mighty Pacific Wave
K JUNE BAKER
Original Watercolor
16 x 11
350.
Waves sculpt the coast
SONIC CONVERGENCE
LUCIAN RICHARDS
Original Acrylic
28 x 24
500.
Color dynamics in harmony
Next Stop Antartica
K JUNE BAKER
Original Watercolor
12 x 9
350.
The rocky shores of New Zealand
A Coastal Sunset
SANDRA FARRELL
Original Oil
12 x 12
175.
I love the vibrancy of this sunset.
Beekeeper
DAVID PIPER
Original Oil
31 x 31
1200.
The world needs more hive mentality.
EXTRAVAGANZA
LUCIAN RICHARDS
Original Acrylic
31 x 29
700.
Explosion of color, form, and movement.
Block 1
BARBARA ZOERN
Original Acrylic
12 x 12
144.
This piece is painted as one of a pair.
Block 2
BARBARA ZOERN
Original Acrylic
12 x 12
144.
This is the companion piece to Block 1.
Softness In Your Arms
ASHLEY LAZARZ
Original Acrylic
30 x 40
380.
A physical touch turned into a visual art.
Je Taime
JAMIE RIX
Original Mixed-media
30 x 30
1000.
It's ok to have your head in the clouds....
Growing in the Cosmos
NANCY PATON
Original Oil
24 x 24
600.
Resilient life thrives beyond familiar worlds.
Turquoise and Coral
SANDRA FARRELL
Original Oil
15 x 14
225.
This color combination is one of my favorites.
Blazing Sunset
SANDRA FARRELL
Original Oil
12 x 12
175.
I painted this sunset to be more of an abstract.
Pop Pop Poppies
SUE SAKAHARA
Original Mixed-media
12 x 36
825.
Gallery wrap canvas, sides painted continued image
Purple Cabbage at Sunrise
K JUNE BAKER
Original Watercolor
14 x 10
350.
One of the most colorful vegetables. Very photogenic!
The Radiant Filament
AMBER BUCK
Original Digital
11 x 14
150.
Sky and cloud swirl together in a medley of evening flight.
Moonlight through the Pine
JULIE SCHMIDT
Original Pastel
9 x 9
350.
The colors in the night sky with a full moon caught my eye.
The Meeting
BETSY SALIBA
Original Encaustic
5 x 7
165.
Three elements join together in messy and unconditional love.
Zingy Zinnia
SUE SAKAHARA
Original Collage
12 x 12
475.
Mixed medium collage on gallery wrap canvas (sides continue image)
Kids
ASHLEY LAZARZ
Original Acrylic
9 x 12
160.
A nostalgic ode to childhood and the space we hold for one another.
Luminescence
LINDA MONTIGNANI
Original Acrylic
40 x 50
1100.
From the Ephemera series, inspired by the glow of clouds at sunset.
Sunsets at 6 53pm
ASHLEY LAZARZ
Original Acrylic
30 x 40
380.
After a long day, life unfolds and things like the sunset are admired.
Unformed
AMBER BUCK
Original Digital
10 x 8
115.
Tangerine hues converge in a hazy glowing view amid the shifting light.
Their Fairy Garden
BETSY SALIBA
Original Encaustic
14 x 18
475.
Their Fairy Garden invites you to escape somewhere more magical with us.
Dried Crocosmia
K JUNE BAKER
Original Watercolor
11 x 15
350.
Dried flowers are reminders of their original beauty…a kind of forget-me-not!
Puzzle Pieces
BARBARA ZOERN
Original Acrylic
12 x 36
475.
Shapes with muted and vibrant colors create harmony with this abstract piece.
Happy Hour
JULIE SCHMIDT
Original Pastel
15 x 8.5
375.
Sunset on the Intercoastal Waterway on the Gulf Coast is always a welcome sight.
Canopies
BOB SHEPHERD
Original Oil
40 x 30
1900.
I enjoy doing realistic paintings that are a little abstract. If you know what this is it can also be architectural.
Daydreaming
ASHLEY LAZARZ
Original Acrylic
30 x 40
410.
Daydreaming encourages the viewer to simply just be. To experience the present moment and to be at peace with oneself.
Chromatic (Triptych)
MONIC REYES
Original Acrylic
8 x 8
1212.
This is a triptych series of three pieces that I am submitting please let me know if I need to submit each one separately
Untitled II
DELYLA OVALLE-BOWYER
Original Alcohol Ink
5 x 7
100.
I invite others to create a title for this, and I was experimenting with alcohol ink. Do you see faces? What objects or items do you see?
Experiments in Portraiture
AMBER BUCK
Original Digital
11 x 14
200.
Elements of nature and color converge in the center of the work. As the ghostly face clad in red stares back. What do you see in her expression?
MS Jackson
BOB SHEPHERD
Original Oil
44 x 22
500.
MS Jackson started as a giclee' on canvas that I had a few of left. After visiting Jackson Square I was was inspired to completely repaint her.
Transitions
NANCY PATON
Original Oil
48 x 60
2800.
Strength that no longer needs to prove itself.
A form shaped by heat and desire, arriving at calm not through retreat, but through transition—its stillness earned.
Slow Exposure
JAMIE RIX
Original Mixed-media
30 x 30
1000.
Observe the world through your own lens. I've always loved slow exposure photography and the way it abstracts and blurs everything. Colors take on a new vibrancy and life.
Spotlight
DELYLA OVALLE-BOWYER
Original Alcohol Ink
5 x 7
100.
Imagine a model walking on a runway and lights spotlighting them. They get to show off their handmade clothes that sparkle and highlight the mood of the creator.
What do you see?
Plants
JAC SMITH
Original Acrylic
47 x 16
768.
My goal for this painting was to contrast the structure of a framework with the loose movement of flowers and foliage but especially to have fun while doing it. Working on Plants was a blast!
Present Tense
JAC SMITH
Original Acrylic
40 x 33
2524.
As an intuitive artist, I am often surprised at the result of my efforts – as is the case with Present Tense. I approached the canvas without expectations and was given a unique moment in time.
Embrace
DELYLA OVALLE-BOWYER
Original Alcohol Ink
5 x 7
100.
There is a person in the middle of this piece, and it looks like they are hugging themselves. I did not intend for this to happen; it occurred during the process. I enjoy it when something occurs randomly.
Light Showers
AMBER BUCK
Original Digital
8 x 8
130.
A rain of light coalesces out of the darkness of the background covering the metal frame in a shimmering luminescence. What would it sound like, I wonder? How would it feel to stand and let it wash over you?
Exuberance Attracts Exuberance
JULIE PELAEZ
Original Mixed-media
18 x 24
750.
Mixed Media, paper shapes floating between multiple layers of resin. This artwork is inspired by the "Law of Attraction". The large central shapes represent original thoughts, while the peripheral shapes bend and feed in support.
Curiosity Attracts Curiosity
JULIE PELAEZ
Original Mixed-media
18 x 24
750.
Mixed Media, paper shapes floating between multiple layers of resin. This artwork is inspired by the "Law of Attraction". The large central shapes represent original thoughts, while the peripheral shapes bend and feed in support.
Green
DELYLA OVALLE-BOWYER
Original Alcohol Ink
5 x 7
100.
With my art, I create in the moment, utilizing various techniques. I encourage you to find a face or an object. At times, we don't see past the layers, and I want you to see beyond the layers.
What do you see?
How does this make you feel?
Yellow
DELYLA OVALLE-BOWYER
Original Acrylic
8 x 10
100.
When I created this, I wanted to play with monochromatic colors. I used different shades of yellow. The lines almost look like an animal's claws. What can you tell from this painting? What resonates with you when you see the different shades of yellow in the middle?
Waves
DELYLA OVALLE-BOWYER
Original Alcohol Ink
6 x 6
100.
The original title for this was Azul (blue in Spanish), and then I changed it to waves. It looks like waves are forming from a storm. I see it as calming yet intense with the different shades of blue. What emotions come up for you? Do you see waves, and if not, what do you see?
Quarantine Confessions: Make-Up & Hair, Don’t Care
JULIE PELAEZ
Original Mixed-media
19 x 25
525.
Created during the early stay-at-home days, this artwork portrays the upheaval and subsequent piecing together of a life in quarantine and a new normal through painting shards and tangled thread. This particular piece is an acknowledgement of how make-up, fashion and primping had gone by the wayside.
Please Press Pause 13
JULIE PELAEZ
Original Mixed-media
36 x 24
725.
Finished in glossy resin. Abstract composition of pause symbols from the "Please Press Pause" Exhibit. Gratitude list on back for collector to fill out to serve as a time capsule for what they wish they could pause in this season of life. Artwork is then renamed to the date of purchase to seal that moment in time.
In a Sentimental Mood
EBONY DAILEY
Open Giclee Acrylic
18 x 24
613.
"In a Sentimental Mood" by Duke Ellington is my favorite song. Whenever I hear it, I am transported to this place of peace and nostalgia. It's as if I am surrounded by loving and warm energy. Every cell in my body is experiencing the song. I hope that as you view this piece, it invokes something deep in you filled with music and magic.
With One Sultry Kiss
EBONY DAILEY
Open Giclee Acrylic
16 x 20
518.
That first kiss can be exciting and full of anticipation. But when your lips finally meet, it's like the world fades away and it's just the two of you. Passion and love are powerful emotions that can change your life forever. And it all starts with that first kiss. So cherish it, hold on it, and remember it always. I hope this piece invokes the love you have with that special someone.
Journal Entry #1
ASHLEY LAZARZ
Original Acrylic
36 x 36
700.
Journal Entry #1 is a deeply healing piece for the artist. It is an emotional release captured on canvas. The fragmented face, composed of a spectrum of colors, suggests the many masks we wear to conceal our true feelings. The somber eyes pierce through, revealing the raw emotion hidden beneath. In creating this work, the artist allowed her own mask to dissolve, embracing vulnerability and finding strength in that openness.
That was Then
JAC SMITH
Original Acrylic
30 x 24
1080.
Reconsidering the title of a piece after I’ve known it in specific terms for a while provides opportunity to evaluate its inspiration more clearly. This is the second title for this painting. The first carried a combative tone because it was inspired by an unfortunate event. When I look at the painting now, I cannot forget the original association but the new title, That was Then, puts the whole situation into a more truthful perspective.
2020
JAC SMITH
Original Acrylic
30 x 24
1180.
What a year! In 2020, the spread of COVID-19 challenged the entire world, forcing us to see life in an entirely different light. In some ways, I felt the experience was an all-consuming, destructive fire, but a fire can also result in a powerful, cleansing effect. While there was great loss in that time, there was also the creation of breathtakingly beautiful art, the natural cleansing of the environment, and genuine, heartfelt kindness expressed human-to-human.
Different but Equal
JAC SMITH
Original Acrylic
22 x 24
884.
Even with all my years of life experience, I never know for certain where inspiration comes from for my artwork. Experiences like layers of paint can simultaneously obscure and accentuate a concept. However, in the case of Different but Equal, I believe the subliminal notion originated in a discussion I had with my partner about how she and her dog held each other in mutual respect. The two are specifically different but also equally the same. When I finished this painting, I instantly knew the title.
Reflection
ANN JOHNSON
Original Oil
16 x 20
675.
"Reflection" captures the moment, just after the sun has dipped below the horizon, where the most vivid colors are reflected on the clouds in the eastern sky -directly opposite the sunset. The tiny crescent moon is just becoming visible in the evening sky. The sky contains the bold and bright yellows and oranges as well as the more subtle pinks and purples, all against the background of the vivd blue sky. This painting asks you to imagine and reflect on this fleeting moment ... before it all fades to black.
Color Fields
ANN JOHNSON
Original Oil
12 x 9
350.
A somewhat abstract painting of the flower fields at the Flower Barn in Blanco, TX, "Color Fields" captures the scene on a late fall day when marigolds and zinnias were in full bloom and the fields were awash in color! There was movement, too. The breeze ruffled the flower petals, the stems swayed gently, and there were thousands of butterflies fluttering about, drunk on the nectar of the flowers. This painting was done alla prima in an effort to capture the impression of the moment when all of my senses were engaged.
High Chroma I Butte
SARAH LESLIE
Original Pastel
13 x 11
320.
This palette was sparked by the Pixies’ Wave of Mutilation (UK Surf), and I wanted to push that energy into an abstract landscape built on saturated color. An underpainting established the bold, simplified expanses, allowing the high-chroma intensity of pastel to layer in texture and vibration. The push and pull of intense color and temperature shifts is what gives the piece its tension and movement.
These works explore variations in composition while maintaining a consistent high-chroma palette and tonal atmosphere.
High Chroma II Lava
SARAH LESLIE
Original Pastel
13 x 11
320.
This palette was sparked by the Pixies’ Wave of Mutilation (UK Surf), and I wanted to push that energy into an abstract landscape built on saturated color. An underpainting established the bold, simplified expanses, allowing the high-chroma intensity of pastel to layer in texture and vibration. The push and pull of intense color and temperature shifts is what gives the piece its tension and movement.
These works explore variations in composition while maintaining a consistent high-chroma palette and tonal atmosphere.
High Chroma III South Prong
SARAH LESLIE
Original Pastel
11 x 13
320.
This palette was sparked by the Pixies’ Wave of Mutilation (UK Surf), and I wanted to push that energy into an abstract landscape built on saturated color. An underpainting established the bold, simplified expanses, allowing the high-chroma intensity of pastel to layer in texture and vibration. The push and pull of intense color and temperature shifts is what gives the piece its tension and movement.
These works explore variations in composition while maintaining a consistent high-chroma palette and tonal atmosphere.
We Are Green
OLGA LORA
Original Oil
24 x 24
550.
Colors serve as a simple, emotional, and universal language. They encourage viewers to feel before overthinking.
The painting "We Are Green" symbolizes growth. Blue and yellow are prominent colors. Together, they create a balance of peace and happiness, capturing the feeling of being alive. The composition is full and upward-reaching, with flowers spilling over the vase, representing abundance. The round patterns on the vase mirror the shapes of the blossoms, creating harmony within the artwork. The brushstrokes are lively.
Upside Down and Inside Out
SARA TRUMET
Original Mixed-media
48 x 30
1200.
“Upside Down and Inside Out” blends several of my artistic styles into a single piece. The background was built using various putty knives and layered colors, creating texture and movement, while the foreground dances on top, drawn with black acrylic markers. The abstract shapes invite each viewer to see something different and ask why certain images emerge for them. The title comes from the Diana Ross song “Upside Down,” inspired by a long-distance relationship that often leaves me feeling upside down and inside out—spinning, disconnected from my love, unsure which way is up, lost in time, chaos, and far away.
HAPPINESS
OLGA LORA
Original Oil
40 x 36
1200.
These artworks spring from a true love of color—it's more than just decoration for me. Color represents memory, emotion, and presence; it’s a way to express how we feel. Happiness is art and feeling. It shows that color is more than decoration; it connects to memory and expression. In this painting, flowers, layout, and lively brushwork all tell a story of joy as something alive. To me, happiness is layered and colorful. It exists in memories and in how colors interact. That’s why I use flowers—they symbolize fleeting beauty and strong emotions. Color takes center stage here. Bright yellows add warmth and optimism, while pinks and magentas suggest affection. Oranges bring energy, and deep blues evoke calm. The bold green and patterned blue background create contrast, making the bouquet feel vibrant.
Happy Flowers
OLGA LORA
Original Oil
24 x 24
550.
Each flower has its own world, full of harmony and surprises. In them, I find color combinations that are hard to imagine, but they end up looking so smooth and amazing together!
Happy Flowers celebrates flowers as vibrant worlds with unique purposes. They carry feelings, memories, and rhythms, showing how color tells stories. Reds represent warmth, blues calm, whites space, and yellows light. Nature shows harmony in differences. Flowers rise from a stable base, reaching out in various directions, creating movement. My brushstrokes capture time and intent, contributing to a dialogue of color and emotion. Painting flowers tells human stories; they symbolize strength and balance, inviting viewers to feel and interpret. The artwork blends art and storytelling, with color as narrator and brushstrokes as voice.